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This should make my Shure SRH 440s sound like my Oppo Pm-3s normally sound.

So I tried it the other way around - Selecting my Shure SRH 440s from the correction list and choosing Oppo PM-3 as the simulation. This should supposedly make my Oppo PM-3s sound the same as my Shure SRH 440s normally sound (ie when they are not running through Morphit). I used my Oppo PM-3 headphones, selected them in the correction list, then chose Shure SRH 440 as the simulation. I compared both these headphones with their Morphit simulations.

They also sounded quite bad running through Morphit. I just happened to have another pair of headphones on the Morphit list - Shure SRH 440. I could see that the frequency response graph was similar to other graphs I'd seen for my headphones (like the Inner Fidelity FR graphs) and what Morphit was doing was an opposite curve, taking into account the target curve. I tried all the target curves, but none of them sounded good to me. So much so that I could barely listen to it.

I used 'So' by Peter Gabriel as the reference. So I set it to 'Correct' and chose my Oppo PM-3 headphones from the list. I checked out Morphit a while back, hoping it would be as good as it claims (because I like Toneboosters plugins). I don't know if Toneboosters' Morphit includes solutions for earbuds/phones but you might like to check that out. I wouldn't recommend mixing with them but like I say - if it's working for you - and most importantly, that you feel comfortable. It's marginally less severe with the Dre earphones but the bass end is dramatically hyped. The higher frequencies are hyped and then roll off quite strongly between 5 and 10kHz. With regards to the frequency responses of the earphones, it is clear that the bass is boosted a fair amount - especially when you take proximity into account. I'm not sure how much mysticism there is (one could say that any mysticism is too much in this field) but I've certainly read some strange things that people seem to convince themselves of without any consideration for engineering. It has to be monitor speakers for me as I feel most comfortable using them and ear fatigue doesn't happen as quickly. So I'll only use headphones when recording live audio and as a quick A/B check. It's the restriction and artificial sense of sound that I dislike about that solution. I'm definitely with you with regards to headphones - I think I have a mild claustrophobic response to them - even though I'm not claustrophobic. I think I saw Bob Katz mastering audio on a sofa in his living room once. I now know to watch out for a device's response curve and have to find some earbuds with a flat one. So, all these speakers and headphone and people that like to tweak their system's EQ can have it their way. Looking at these guys, we see that they are really pumping that low end.ДЄt the end of the day, I mix flat against pink noise. I'm happy with my mixes, I've been doing them in FL Studio for 20 years and they sound better than ever.

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If you look, it seems to be boosting 2k-5k, this gave me the artificial idea that the vocals sounded decent on the 'slapped together' mix so when I brought it to my TV they dulled out. Here is the frequency response curve from my favorite headphones I noticed my hard mix sounded decent, my 'slapped together' mix seemed to lack in the vocals department. I was chilling, listening to them on my TV, showing them off to some guests. One I pushed extra hard and one I slapped together. There is too much mysticism about mixing, mastering and monitoring. unfortunately, I can only afford a flat response curve. I've even read that some live performers have their earbuds custom fitted to their ear hole.

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In-ear (earbuds) are no different from any other monitor, with a big enough driver and high-quality materials they rival everything else. I sit in a chaise lounge to do the majority of my sequencing and mixing, my laptop sits on my lap therefore there is no surface to put monitors on, over-ear headphones make my head sweat after a few hours and some feel like I'm sticking my head in a vice.

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